The origins of the chateau go back to the 17th and 18th centuries. During the First World War, the entire central part of the building was destroyed, with the exception of the two corner towers. In the aftermath of the war, the edifice was rebuilt with the help of architect Georges Biet, who designed many of Nancy's residences in the Art Nouveau style associated with the École de Nancy. Louis Guingot, a painter, decorator and founding member of the same school, was commissioned to decorate the magnificent reception room.
The property comprises four independent buildings. Two 18th-century lodges mark the entrance. To the right, former stables, garages and outhouses have largely been converted into guest rooms and a leisure area with a covered spa. The chateau in the centre has a T-shaped floor plan. Its central section, facades and roofs are listed in the French inventory of historic monuments.
The surrounding grounds of around 2 hectares are planted with large trees and include an orchard.

The chateau

Standing in the centre of the grounds, the chateau comprises three sections, the two largest forming a T-shape, with the main section as the horizontal bar and a second, perpendicular section as the vertical bar. This second one-storey part is extended by an even lower adjoining projection. The west-facing main section was rebuilt between the two former towers of the chateau. To the south, one of the towers is crenellated in the troubadour style typical of the 19th century, while the other has retained its slate pepperpot roof.
The southern gable towards the park has four openings: two low round-arched windows and two upper hipped dormer windows. The central section, built on one level and perpendicular to the first building, faces due south. Three arched French windows open onto a terrace with a stone balustrade, protected by a canopy, from where a flight of steps descends down to the grounds of the property. The end of the central section is marked by a low projection with an awning on the north side and an arched dormer window on the south side.
The dual-pitched roof of the main dwelling with its hipped dormers, the gable roof of the central section with its projections and recesses, as well as the low dormer of the extension form an architectural ensemble that is both harmonious and representative of the École de Nancy style.

The ground floor
The 85 m² reception room, decorated by Louis Guingot, is accessed directly from the south-facing terrace or from the porch in the north-east corner of the projecting section. It is topped by the building's high, exposed roof timbers. Over 800 m² of frescoes by Louis Guingot, depicting scenes of country life enhanced with a frieze of naturalistic motifs can be admired above the light-coloured wood panelling. The gold and ochre tone of the ensemble blend harmoniously with the brick-coloured earthenware floor tiles featuring simple bluish foliage. A dark oak music gallery stands out against the high wall which separates the reception room from the main section of the chateau. Above this can be seen the trusses, also in dark wood, of the exposed roof structure. Opposite the arched French windows opening onto the terrace stands an impressive half-moon stone fireplace. It is topped by a conical hood supported by four pillars, two on either side, linked by a stone bench that follows the shape of the fireplace. This delineates a small, private drawing room that opens onto the large reception room.
The entrance through the porch leads to a hallway with frescoes of hop leaves, also by Louis Guingot. A large glass door beneath the music platform provides access to all the ground-floor rooms of the main building, which are served by a passageway that also leads, via a staircase, to the first floor. There is a large sitting room on the left, richly decorated with carmine-red panelling that spans almost the entire height of the room. Some of the wood panels are adorned with coats of arms under carved wooden crowns. The upper part of the wall features a Gothic-style frieze painted in golden hues against a deep blue background. The beamed French ceiling features boards in a herringbone pattern. Next follows a very bright dining room with white walls and a vast kitchen tiled with sky-blue cabochons.
The upstairs
The winding staircase with turned wooden balusters that starts from the ground floor corridor leads to the landing on the upper level. To the left of the staircase are a small gallery and the music gallery, which offers a stunning view over the reception room. To the right is a first large west-facing bedroom with, in the corner, a generous bathroom built into the circular space of the north-west tower. There are two further bedrooms opposite the staircase landing. One of them features a fireplace with a black surround decorated with gilded motifs and a cast-iron fireback. The last bedroom, in the south-west corner, has a large, circular en suite bathroom set within the tower. Like the other bathroom, it is enhanced by mosaics on the wall and cabochon floor tiles and includes a sauna on the upper level of the tower, accessed by a small staircase.
The floors in the other upstairs rooms are of straight strip hardwood.