The manor towers on a wooded plateau that opens up slightly towards the south. The edifice stretches up to the treetops that surround it. It stands in a commanding position in a meadow that slopes gently down to the property’s entrance. From there, a driveway snakes up from a road on which heavy goods vehicles are forbidden. In a second clearing there is a swimming pool set in a terrace made of exotic wood. Vehicles can be parked in the shade of trees. On these grassy, well-maintained grounds where roe deer find refuge, there is neither asphalt nor gravel. At the edge of the estate, there is a paddock. Via a path beneath trees and a few stone steps, you can reach an adjoining property, available for sale as an optional extra. It includes a noble country house, a studio apartment to be renovated, large outbuildings, a garden, a well filled with water all year round, a stable and a horse-riding area.

The manor

The manor was built in 1891 in a Renaissance Revival Tudor style. It stands upon a semibasement. It is made up of two rectangular sections that join each other at a right angle. The gabled slate roofs of these two sections are punctuated with dormers with sculpted triangular pediments that mirror the manor’s gable ends with their stone ridge tiles. The chimney stacks, which face the former driveway, bear monumental metal initials: those of the original owner. Three straight flights of steps, followed by a terrace, lead to the house. Another flight of steps leads down to the semibasement. The doors and windows are set in surrounds of dressed stone. There are stone-mullioned windows. The main door stands beneath a Renaissance-inspired ogee-arch lintel. The south-facing gable end features a bay window with two stone mullions. A terrace lies upon this bay window.

The first level
The dual-aspect entrance hall is spacious. It connects to the different reception rooms. There is a dining room with a French-style beamed ceiling and chevron parquet. A bay window bathes the room in natural light. A hidden door that is flush with wall surface leads to a flight of backstairs. There is a billiard room with floral-patterned cement tiles, a wooden fireplace adorned with ceramic tiles painted with fleurs-de-lys motifs, walls decorated with historical fabric wallpaper depicting parrots, and a remarkable coffered ceiling. French windows lead out onto a northern terrace. Five windows fill the lounge with natural light. The lounge’s majestic fireplace, made of Saint-Astier stone, mirrors that in the dining room through its antique-inspired style. One fireplace represents flames and a dragon. The other one symbolises abundance through an ear of wheat.

The second level
The main staircase is brightened up on the north side with an original imposing stained-glass window that dates back to 1892. In this window, the house’s original owner is depicted as a knight. The balustrade of solid wood features turned-wood balusters and, upon the starting post, a sculpted lion and dragon. This dragon is represented in six other places: on the fireplaces, the door lintels, the roof’s lightning conductor and the stained-glass window. Around the stairs, there is fabric wallpaper that was impaired by considerable water damage half a century ago. Despite this water damage, a decision to give priority to authenticity was made during the renovation, so the wallpaper has remained in its damaged state. A spacious landing connects to a flight of backstairs, a separate lavatory and four suites with bedrooms, shower rooms and a terrace upon the ground-floor bay window. Historical pinewood strip flooring extends across the rooms. Red marble fireplaces contrast with ceiling cornices and small-paned windows with Cremona bolts and fanlights. These bedrooms have been entirely renovated for guests’ comfort, with the addition of large beds, reversible air conditioning and spotlights.

The third level
The flight of backstairs leads up to the top floor, which has sloping attic ceilings. Up here there are five bedrooms with touches of comfort identical to those on the floor below it. One of the bedrooms stands out for its floor area, which exceeds 50m². It is a dual-aspect room.

The basement
A flight of backstairs leads down to the semibasement, which includes a former kitchen dating back to the chateau’s origins. It has a floor of red and white cement tiles. You can still see a monumental stone fireplace and a historical service lift down here. Today, this space is a semi-professional kitchen. A pantry and a scullery for cold food adjoin this kitchen. The rest of this lower level is made up of a workshop with a stone fireplace, a storeroom, a wine cellar, a lavatory and a technical installations room with a hot water tank and a door to a former underground passage. All the ceilings are insulated.