The property is situated behind a stone surrounding wall. After passing through the entrance gate, the house, which was built in the second half of the 19th century as a pleasure residence, stands in the middle of an entirely enclosed garden. The property, which boasts a main section with a rigorously symmetrical facade divided between three vertical rows of openings, arranged in a soberly classic way, is divided into two harmoniously linked separate volumes. The building stands on a plinth course made of exposed stonework, which is not simply an aesthetic choice but the hallmark of a territory and era, namely the signature style of manor houses and villas from the Belle Époque period.
The light-coloured rendered facades are bordered by quoins and underlined by pearl grey stringcourses, giving the residence its distinctive character. Each window is protected by a wrought-iron guard-rail adorned with delicate motifs. The double-leaf entrance door is surrounded by a classical frame and topped by a discrete entablature. The roof made of dark coloured tiles is punctuated by hipped dormers, which are typical of noble rural architecture. Lastly, next to the residence, there is an outbuilding, which is a similarly styled caretaker’s house. Both stand in middle of an ornamental garden.

The house

The ground floor
The dual aspect entrance is generously bathed in light. The walls are adorned with wood panelling on both the lower as well as upper parts and the hall leads to several rooms on the ground floor.
Firstly, there is a fitted kitchen, bathed in light through a side window, with wide stripped oakwood flooring. It opens into a large lounge into which light streams through small-paned, tall windows. A marble fireplace with red veining topped by a large, old mirror dominates the room. The ceiling is bordered by moulded cornices, while wainscotting runs around the entire room, affirming its classical character. Next to the lounge, a large, basket handle shaped archway opens into the dining room, which is followed by an office and a pantry overlooking the garden to complete this level.

The first floor
A spiral wooden staircase in a narrow stairwell bathed in light climbs to the upper floors.
On the first floor, a vast landing leads to a bathroom with a lavatory. The room is structured around the gentle shapes of the bath and the double washbasin embedded in a solid wood countertop. A first bedroom stands opposite this bathroom and its walls are adorned with moulded wainscotting. There are straight stripped oakwood flooring and a finely sculpted cornice around the comfortably high ceiling. On each side of a corridor in which the doors and large skirting boards stand out, there are three other bedrooms one after another, as well as a modern bathroom, all decorated in a similar style. Lastly, this level has two areas of wardrobe space.

The second floor
The landing leads to the rooms in the same layout as on the level below. Firstly, there is a modern bathroom of monastic simplicity that draws on the house’s strong lines by enhancing the exposed trusses and joists. Opposite, there is a first bedroom beneath the rafters followed by two others. The ceiling of the first follows the slope of the roof, with the interplay of the joists and purlins creating a dynamic perspective. The second is bathed in light thanks to its double-leaf windows and ample volumes. The painted wood stripped flooring is light-coloured, while the dark wooden beams evoke the residence’s original structure. This level is completed by a vast room revealing the building’s original structure. It is used as a loft and its untreated state allows a free reign for the imagination as regards how to convert it.

The basement
This level can be reached from inside the house and is mainly made up of a series of adjacent rooms: a utility room, a space which could be transformed into a fitness room, a wine cellar and a final room that currently houses the boiler.